Profile

Penne Thornton is a multidisciplinary creative producer working across performance, exhibitions, public programming, artist development and community engagement.
Penne has a research focus on collaborative, place-based practice and is an advocate for social justice and equity in the arts.






Image by Leiko Manalang-Frequin



Email
pennethornton(at)gmail.com


Select Projects

>A People’s Guide to (North) Geelong
>Duwa
>Anything & Everything
>WiCLA


Platform Arts Projects

Performance
>Death Warmed Up
>Texture of Absence
>Paradise Lots
>Slip
>The Director
>Bodies of Water
>Maps of the Heart
>Pictures and Ghosts

Artist Development >Neighbourhood LAB
>infinity ensemble
>金山 婆 Gold Mountain Wife

 

Publications

> Collective Mothering
> Local Word















Anything & Everything

Performance

Created and devised by infinity and Jackson Castiglione

Director Jackson Castiglione
Platform Arts infinity members: Poppy Goodman, Zara Nawaz, Harriet McNicol, Eza Bakker-Graham, Saskia Ellis-Gardam and Elm Macpherson

infinity Producer Penne Thornton
Project Producer Xavier O’Shannessy
Dramaturge Tamara Searle
Video and Media Designer Rhian Hinkley
Composition/sound design Robert P. Downie
Audio Operator Connor Ross
Set Design Tyler Hawkins
Costume Design/Stylist Sophie Hayward.
Lighting Designer Niklas Pajanti
Lighting ProgrammerTom Willis
Stage Manager Libby Gilbert


Commissioned by RISING with support from ACMI, Melbourne

Images by Sarah Walker
2022
infinity ensemble

Young people’s lives are dominated by social media: selfies, meme cycles, video filters, "likes" and emojis. This screen culture defines their generation, but it's a world often hidden from the adults in their lives. 

Set in a TV studio, Anything & Everything is a live performance that glimpses into the intimate online and IRL spaces where young people navigate technology, identity, ability, connection and consent. 

Director Jackson Castiglione (The Dispute) works with an ensemble of artists aged between 11 and 21 who've collaborated online for two years. As the performers joke, share and converse live onstage, their peers manipulate cameras, digital filters and video. Together they augment their identities in real-time to explore the thresholds between screen, reality and agency.





 I acknowledge the life systems of land, river, sea and atmosphere and the Waddawurrung people’s as the First People’s on whose sacred Country I live. This land was never ceded. I give respect to all First Nations people’s, their elders and rising generations